Back To Basics - In The Field

May 5 In Wooside: I took my minimalist kit to photograph two Woodside events: The Soapbox Derby, which I found by accident, and Historical Woodside Store, an annual recreation of country life in rural California during the 1880’s. Since these would be conventional assignments, it would be a good way to see if my wide angle / telephoto pairs could meet the challenge.

ISO 200, 1/2000 second, F 8.0. Underexposed by 2 stops, corrected in post

Up Close: Nothing beats a super wide angle lens, but when working outdoors, the flash synchronization advantages of the X100T's leaf shutter give the photographer a clear advantage when it comes to equalizing sun-lit highlights with flash-filled shadows.

From my track-side vantage point, the 28mm equivalent Fuji X100 couldn't give me as wide a view as my 10-24 zoom on an X-T2 body. However, this shot shows the potential of using a flash outdoors, and while the lighting isn't particularly attractive, the driver's expression is easily seen. Unfortunately, the officials in the background are looking back at the next racer, and this detracts the viewer's attention away from racer in the foreground.

Next time, I'll keep shooting in spite of the discouraging initial efforts, and see if I can improve my timing and composition. Holding the camera in my left hand while holding the (cabled) flash in my right hand would have improved the lighting considerably.

1/900 second, F 11.0, ISO 200, flash fill

The Awards Ceremony: This was an easy shot to make, and full of detail. If I were make on suggestion, it would be to underexpose the image by 2/3 of a stop. Failure to do so will result in an overexposure of the highlights, which were properly preserved in this shot. Don't forget that the flash illumination is on top of the light already in the shadows, so a little bit of light goes a long way.  The distance was about ten feet, about the outer limits for a battery powered flash at F 11. But having a leaf shutter in the X100T makes that 1/900 of  second flash shot possible, something a conventional focal plane shutter couldn't accomplish without some seriously geeky equipment tweaks.

Making Rag Dolls: At the Old Woodside Store, two docents were showing groups of children how dolls were made from simple fabric scraps. The room was lit by an single, under-powered light bulb that hung from the ceiling, with some additional sunlight coming through a south-facing window. It suffices to say that there wasn't much ambient light to speak of, so I resorted to wall-bouncing the Godox 685 flash I brought for the occasion. Making a well-exposed photo wasn't the problem. Attempting to create a suitable composition was.

In this first sample, the overall composition was acceptable, but the photo had several shortcomings. First off, the mother and son grouping in the lower left drew the viewer's attention from the seated docent on the right. In addition, the gap between the seated children essentially cuts the image into two parts. Finally, the doll that the docent is making isn't recognizable as such, the brightness and coloration blending in with its background.

In the end, I chose to submit this image. The way the doll's garment is being held, the gaze of the docent, and the two faceless children created a better composition. I wish the docent was a little more animated, but I chose the photo's composition in favor of the expression.

ISO 200, 1/420 second, F 4.0

Eating Pie: Statistically speaking, I am far more likely to choose a wide angle lens when I have the chance to work near my subjects. But in this case, I needed my short telephoto lens for the Pie Eating Contest.  These shots were made in the Aperture Priority mode, and choosing a relatively large shooting aperture gave me backgrounds that were pleasingly out of focus. I was thankful for the white paper table covering which provided enough reflected light to give detail to the shadows. Without it the photo would have had blown highlights or overly dark shadows, depending on which of the two extremes I chose to sacrifice.

1/390 second, F 4.0, ISO 200

When grabbing candid shots, it's too easy to concentrate on your main subject and forget that the edges will often add some context to the photo. Had I seen the expression of disbelief on this young man's face sooner, I might have re-framed the shot to included more of it. As it stands, I can be forgiven because this final crop included both of his eyes, although just barely.

All in all, my lens choices were satisfactory, although I wish I had some zooms for the actions shots. I felt some professional pride in making do with so basic a kit, and felt my cameras were up to the assignment. I was forced to re-think the single flash concept, and I'll discuss some additions I made in my next post.

Postscript May 15, 2019: My editor ran this shot of these two soapbox racers whose car won the Most Original Car award. The photo of the docent holding the doll clothing was also submitted, but not used. I think this photo, taken outdoors with a flash assist, had more detail, better color, and most importantly, two happy kids. 

Using a flash exposure to properly balance the existing daylight allowed me to underexpose the highlights slightly to prevent them from "blocking up". As a rule of thumb, under-exposed the sunlight exposure by 1/2 of a stop, while underexposing the flash an equal amount. Since digital cameras and lenses tend to be calibrated in 1/3 stop increments (the same as the ISO settings, coincidentally), just try to keep your settings near the 1/2 stop range. 

One piece of advice from the film days, underexpose transparency (slide) film to maintain saturation in the highlights. Treat your digital exposures the same way.

JJC Lens Hoods

Buy your OEM hood here.

OEM = OMG! Lens hoods are a necessity when working outdoors in the presence of other sticky fingers. While their effectiveness in blocking stray light can be problematic, they are very effective in keeping errant digits off the front element of your camera's lens. Depend on it, sooner or later a big, juicy thumb print will find its way onto the front element of your lens, so anything you can do to prevent this should be considered. And if you add the protection provided by a glass UV filter, so much the better.

When the Fuji X100 was first introduced in 2010, it was universally hailed as a contender for the Greatest Camera In The World award, and rightfully so. But one thing did not sit well with most photographers: the inordinately expensive lens hood. Retailing for about $70.00, the Original Equipment Manufacturer (OEM) hood was considered far too expensive for what it did, although I never heard anybody criticize the overall quality of the product. As a former film photographer, I had already acclimated myself to the astronomical prices commanded by genuine Leica accessories, But $70.00 for a newly manufactured Japanese product? I don't think so.

There was another issue that may have added to the manufacturing cost of a suitable lens hood. For whatever reason, the 49 mm filter threads, hidden beneath a protective bezel ring, are male (external), the exact opposite of the nearly universal female (internal) threads normally encountered. This means that if you want to mount a filter, you needed some kind of adapter that would have female threads on the camera side AND the filter side, something the Fuji hood addressed. A sticky wicket, none the less.

Get your hood here.

Enter JJC. This Chinese manufacturer makes a close copy (cheap knockoff) of the hood for under $15.00 through several EBay vendors. Workmanship? The hood feels a little gritty when installed, but other than that, it's perfectly serviceable.  And with the money you save you can afford a first-rate UV filter. Just be sure you buy the hood that includes the phrase "filter adapter" in the description.

You may notice the slots cut into the hood. This feature dates back to the original lens hoods designed for use on rangefinder cameras where the slots would allow you to see "through" the hood when using the camera's viewfinder window.

Order your hood here.

Hood For The X70: The OEM hood for the X70 does not have the ability to take a filter. The hood itself looks a little like an inverted bowl with a hole that matches the angle of view of the lens' 28mm equivalent angle of acceptance. Perhaps the designers felt the added protection provided by the hood would make a protective filter unnecessary. However, the JJC designers felt otherwise and included a filter adapter similar to the one on their X100 model. The final product is a real winner in my book.

You will notice that the slots have been omitted. Since the X70 does not have a viewfinder, there is no need to provide the see-through cutouts.

Photo source here.

Dedicated Hoods For Specific Lenses: My final JJC purchase was thus rectangular lens hood for my 56 mm F 1.2 lens. In this case, the OEM hood is a simple plastic tube that attaches to the lens' bayonet mounting flange. JJC has copied the rectangular hood format used on some of the Fuji primes, and also copies the snap-on cover in lieu of a lens cap. You can still install a protective filter on the lens, but you cannot install a center-pinch lens cap when this hood is in place.

One might argue that the shallow design of the JJC hood wouldn't shield the lens as well as the deeper "soup can" OEM version, since the hood can also be used on the Fuji 23mm F 1.4 lens. Even if it didn't, the compact design still provides sufficient protection from fingerprints, a hazard I consider far more real than a beam of errant light. And I simply like the way the hood looks. After all, you can never have too many style points.

You can order yours here. Price should be under $40.00.