35mm F 1.4 TTArtisan Lens. Buy yours here. |
The 35 has some minor quirks. First, the half-stop clicks end at F 4.0 and thereafter click on the full stops only. Second, there is no click to identify F 11, only a red dot on the aperture ring between F 8.0 and F 16. Lastly, the distance scale is only in meters.
TTArtisan Filter Sizes, Lens Hoods: The 35mm and the 17mm both use unusually small filters, the 17 using a 40.5mm filter while the 35 a 39mm. Neither size is impossible to find, as they were both standard filter sizes for Leitz lenses. When it comes tor lens hoods, the 35mm lens isn't fussy at all, since any hood for a so-called "normal" (50mm full frame equivalent) lens will do. Finding a hood for the 17mm was a bit of a struggle, since even the so-called "wide angle" hoods introduced some vignetting (obstruction at the very corners of the frame). I settled on a Nikon HN CP17 lens hood which I just happened to have, but definitely did NOT pay full price for. A less expensive alternative would be one from a third-party maker on eBay since Nikon no longer sells this hood, as it was designed for the discontinued P7700 Point-and-Shoot.
November 20, 2021 |
On The Road: I've taken the lens out on three morning walks and today I came up short in the inspiration and opportunity departments. In this shot of a dustpan on the side of a garbage truck there was none of the distortion normally associated with wide angle lenses when used at short working distances. I find this image relaxing to look at, maybe because the two dimensional nature of the scene doesn't challenge my notions of perspective, since there is no foreground or background.
One final note: Another reason I won't be buying a TTArtisans 50mm F 1.4 lens is its 52mm filter threads, while the 7Artisans is already threaded for 49mm. I purchased step-up adapters for so I can use a 49mm polarizer on all of my manual lenses. Just in case. Incidentally, 49mm is the native filter size for the Fuji X100 and X70 cameras.
Entomologists Of The World Rejoice! I didn't realize that there was so much merchandise with this proclamation. Sweat shirts, T-Shirts, and windshield decals were easily found. Again, the longer subject-to-camera distance made this image easy to mentally process because of the gradual perspective transition from right (near) to left (far).
November 21, 2021 |
This last photo is the only in-camera monochrome image that I actually like. By using the 35mm lens, I was able to include more of the shaded mountainside and less of the sky in the background.
Thinking Wide: While I doubt that I'll be carrying both lenses tomorrow, this exercise did clarify the importance of the background, and how much it can add to. or detract from, the photo, taken as a whole. In this photo (right), I was able to use the blue sky and fluffy clouds to my advantage. In and of themselves, the sky background doesn't add anything to the photo, but it doesn't take anything away either. It allowed me to separate my dancing subjects from their surroundings. A wide angle lens, used at a low angle, and a short shooting distance helped to make this a real money shot. But had I used that same lens on my tree, the background would have been an uneven merger of blue sky and mountain shadow, thus introducing a possible distraction for the viewer.
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